
Helene Blair is the wife of a prominent businessman who neglects to give her much attention. He is thoroughly engrossed in business affairs.


The first time I saw A World of Folly—a 35 mm print flickering like a wounded firefly in an underground Paris archive—I understood why silence can be more deafening than talk. There is a moment, halfway through, when Vivian Rich’s Helene stands at a pier, veil snapping like a surrender flag, and the intertitle simply ...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Frank Beal

Frank Beal
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" The first time I saw A World of Folly—a 35 mm print flickering like a wounded firefly in an underground Paris archive—I understood why silence can be more deafening than talk. There is a moment, halfway through, when Vivian Rich’s Helene stands at a pier, veil snapping like a surrender flag, and the intertitle simply reads: "She listened to the tide of her own pulse." Nothing more. Yet the orchestra of faces behind her, the cadence of the surf, the way Augustus Phillips’s camera seems to inhale..."
Louis Stevens, Jane Grogan
United States


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