
Billy Barnes gets into trouble over a practical joke on a golf course and ends up in jail, despite his high social standing. But he manages to redeem himself with the help of a jewel thief he befriends in jail.


In the flicker of 1922 nitrate, Alias Julius Caesar arrives like a champagne saber—effervescent, dangerous, and aimed squarely at the gilded derrieres of the Jazz-Age elite. Director Edward Withers, armed with a scenario co-sculpted by Richard Andres, flips the Horatio Alger myth onto its starched collar: instead of b...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Charles Ray

Reggie Morris
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" In the flicker of 1922 nitrate, Alias Julius Caesar arrives like a champagne saber—effervescent, dangerous, and aimed squarely at the gilded derrieres of the Jazz-Age elite. Director Edward Withers, armed with a scenario co-sculpted by Richard Andres, flips the Horatio Alger myth onto its starched collar: instead of bootstraps, we get a sand-wedge; instead of virtue rewarded, we see guilt repurposed as social currency. Plot Refraction Act I is a Rococo overture of manicured lawns and whalebone..."
Edward Withers, Richard Andres
United States

