In a spoof of the 1920s mantra "every day in every way, I'm getting better and better", a cat goes around a farm with a self-help book preaching the mantra to animals with troubles -- a hen that won't lay eggs, a mouse with a plant that won't grow, a rabbit being chased by dogs, three lame mice, a wheelchair-bound monkey -- and cures them. But crotchety old Farmer Al Falfa, who's sick with the flu, rejects the cure -- at first.
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A Whimsical Mantra in Feathers, Fur, and Farmhands When the opening frame rolls, the camera glides over a sun‑drenched pasture, the air thick with the scent of hay and the distant clucking of chickens. The scene is set for a satire that feels simultaneously nostalgic and freshly subversive. At the heart of this pa...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Paul Terry

Ralph Ince
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" A Whimsical Mantra in Feathers, Fur, and Farmhands When the opening frame rolls, the camera glides over a sun‑drenched pasture, the air thick with the scent of hay and the distant clucking of chickens. The scene is set for a satire that feels simultaneously nostalgic and freshly subversive. At the heart of this pastoral tableau is an unlikely sage: a sleek, amber‑eyed cat, clutching a battered self‑help pamphlet emblazoned with the mantra “Every day in every way, I’m getting better and bett..."


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