
p,blockquote,ul,ol{margin:0 0 1em 0;line-height:1.7;font-size:1.05em} a{color:#0E7490;text-decoration:none;border-bottom:1px dotted} a:hover{color:#EAB308} strong{color:#C2410C} h2{color:#EAB308;margin:2em 0 .5em;font-size:1.8em;letter-spacing:.5px} h3{color:#0E7490;margin:1.5em 0 .4em;font-size:1.4em} hr{border:0;he...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Arthur Günsburg

Harley Knoles
Community
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" p,blockquote,ul,ol{margin:0 0 1em 0;line-height:1.7;font-size:1.05em} a{color:#0E7490;text-decoration:none;border-bottom:1px dotted} a:hover{color:#EAB308} strong{color:#C2410C} h2{color:#EAB308;margin:2em 0 .5em;font-size:1.8em;letter-spacing:.5px} h3{color:#0E7490;margin:1.5em 0 .4em;font-size:1.4em} hr{border:0;height:1px;background:#333;margin:3em 0} There is a moment—halfway through Die Tragödie eines Großen—when the camera forgets to breathe. Fritz Beckmann’s steel-baron stands alone i..."
Georg H. Schnell
Helmuth Orthmann, Paul Gruner
Germany
1920 · IMDb —
Wilfred Lucas

