When a man's wife is accused of adultery, her insanely jealous husband gives her young son away to a traveling band of gypsies. Years later, when the son grows up, he sets out to prove that his mother wasn't guilty of adultery but was actually trying to help her sister-in-law escape the clutches of a blackmailer.
body{background-color:black;color:white;font-family:Arial,Helvetica,sans-serif;line-height:1.6;margin:0;padding:20px;} The opening tableau of Jealous Husbands is a study in visual tension. Earle Williams, as the tormented patriarch, prowls the dimly lit parlor with a gaze that flickers between love and suspicion. Carme...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Maurice Tourneur
Maurice Tourneur
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"body{background-color:black;color:white;font-family:Arial,Helvetica,sans-serif;line-height:1.6;margin:0;padding:20px;} The opening tableau of Jealous Husbands is a study in visual tension. Earle Williams, as the tormented patriarch, prowls the dimly lit parlor with a gaze that flickers between love and suspicion. Carmelita Geraghty, his accused wife, is framed in soft focus, her innocence rendered almost palpable by the chiaroscuro that surrounds her. The director, Fred Myton, employs a series o..."
Earle Williams
Fred Myton, Pierre Decourcelle
United States
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