A once-timid young woman gains newfound confidence after a failed marriage, much to the chagrin of her miserable family..


The Architectural Despair of the ParlorIn the pantheon of early American cinema, William C. deMille has often been overshadowed by the grandiloquent spectacles of his brother Cecil. Yet, in Miss Lulu Bett (1921), we find a precision of psychological observation that renders the domestic sphere as fraught and dangerous ...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

William C. de Mille

William C. de Mille
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"The Architectural Despair of the ParlorIn the pantheon of early American cinema, William C. deMille has often been overshadowed by the grandiloquent spectacles of his brother Cecil. Yet, in Miss Lulu Bett (1921), we find a precision of psychological observation that renders the domestic sphere as fraught and dangerous as any battlefield. The film opens not with a flourish, but with the rhythmic, soul-crushing monotony of a household that thrives on the unacknowledged labor of its most vulnerable..."
Clara Beranger, Zona Gale
United States


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