Summary
In the bustling, high-stakes world of a 1920s urban pawnshop, Abie (George Harris) navigates a landscape of desperate transactions and eccentric characters. The film opens with a sequence of subverted expectations, most notably a tense moment where a hardened customer appears to be staging a robbery, only to reveal he is simply looking to sell his firearm. This atmosphere of constant misdirection sets the stage for Abie’s personal and political awakening when he encounters Kitty Dolan (Barbara Luddy). Kitty is the daughter of a local man vying for the position of alderman, and Abie is instantly captivated. However, the path to both romance and civic duty is blocked by a corrupt rival candidate who stoops to planting a bomb within the pawnshop to eliminate the competition. Abie’s quick thinking doesn't just save the shop; it turns the explosive threat back onto the perpetrator. The narrative reaches a chaotic crescendo on election day, where the apathy of the local electorate threatens Dolan’s campaign. In a brilliant display of reverse psychology and physical coercion, Abie provokes the lazy voters into a brawl, leading them on a high-speed chase that ends directly at the polling station, securing a victory for the father and a future for the lovers.
Synopsis
After several amusing gags, including one in which a tough character seems to be holding up the pawnshop but is only selling his gun, Abie sees Kitty Dolan, whose father is running for alderman, and it is love at first sight. A rival candidate makes trouble and plants a bomb in the shop but Abie turns the tables on him. Election day finds Dolan's followers too lazy to vote. Abie stirs them up by offering to lick them and then running to the polling place with the mob at his heels. Dolan wins and so does Abie.
