Summary
In the opulent, echoing chambers of the Jazz Age's nascent dawn, Larry and Barbara—scions of fractured dynasties and inheritors of a profound spiritual hollowness—conceive a matrimonial alliance rooted not in affection, but in calculated utility. This transactional union serves as a shield against the encroaching demands of their station, yet the veneer of their arrangement is perpetually threatened by the unruly tides of genuine desire. Larry’s heart remains tethered to Marcia, a dancer whose kinetic vitality offers a stark juxtaposition to the stagnant wealth surrounding him, while Barbara attempts to ensnare Keith, an architect of unyielding moral scaffolding. As Keith resists the siren call of Barbara’s meretricious charms, he finds a sympatico spirit in Marcia, eventually steering Larry away from the precipice of dissipation. The narrative culminates in a poignant exploration of the prodigal’s return, as Barbara, humbled by the crushing indifference of a failed histrionic career, seeks absolution from the very structures she once sought to subvert.
Synopsis
Larry and Barbara, both the products of rich but broken homes, plan a marriage of convenience. He really loves Marcia, a dancer, and Barbara vamps Keith, an architect. Keith's good sense prevails, and he marries Marcia and helps Larry make a man of himself. Barbara, after an unsuccessful attempt at an acting career, returns and asks forgiveness.
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