Summary
At the heart of 'The Making of Maddalena' lies a transformative odyssey that traverses the geographical and social distance between the bohemian enclaves of Rome and the rigid upper-crust echelons of American society. George Hale, a listless scion of privilege, attempts to manufacture a soul through the lens of artistic pursuit in Italy, spurred by the ultimatums of his socialite fiancée, Marie. However, his dilettante ambitions are soon eclipsed by the arrival of Maddalena, a luminous yet ravaged flower of the Roman gutters, whose existence is a perpetual struggle against the predatory whims of her dissipated father. When George is discarded by Marie for the prestigious Signor Pastorelli, he enters a marriage of reactionary impulse with Maddalena, a union that quickly descends into a harrowing battle with destitution and infirmity. The narrative takes a cruel turn when George's father, embodying the cold pragmatism of the American elite, seizes his recovering son but leaves the 'unworthy' wife behind, leading to a nefarious kidnapping that separates Maddalena from her child. What follows is a sophisticated evolution; Maddalena is rescued from her grief by the philanthropic Mrs. Wright and undergoes a radical refinement in Paris. Reborn as a professional nurse in America, she navigates the perils of a city-wide epidemic, eventually finding herself an unrecognized savior in the very household that rejected her. The film culminates in a poignant convergence of identity and redemption, as the 'made' woman proves her nobility not through lineage, but through the sacrificial fires of the medical front lines.
Synopsis
George Hale, a rather good-for-nothing son of wealthy parents, is engaged to marry Marie, a young society girl. She refuses to marry him until he has made good. Young Hale's chum, Augustus Foster, an art student, induces Hale to join him in his studio in Rome. To win the admiration of his sweetheart, Hale accepts his chum's offer and starts his career as an artist. Being of a carefree, happy disposition, he dallies with his work. Here he meets Maddalena, a very beautiful young Italian girl, who poses as his model. Her father, a rough and muchly-dissipated Italian of the poorer class, has abused his daughter most shamefully, using the money she earned selling flowers to buy his drink. Young Hale is greatly attracted to the beautiful Maddalena. One night at the studio, where a number of his friends were celebrating the Fourth of July, in true American fashion, the studio gaily decorated with American flags, bunting of red, white and blue, a letter is received by Hale from the American sweetheart denouncing him and announcing her engagement to Signor Pastorelli, a great artist, who was then living in America. Leaving her home because of her father's abuses, Maddalena seeks refuge in the studio of Hale. In a fit of rage over the news of his sweetheart's betrothal to Sig. Pastorelli, Hale announces to his friends his intentions of marrying his beautiful model, Maddalena. He marries her, a son is born to them. Hale finds the struggle for existence a very difficult one and seeks employment. He becomes ill, loses his position. Hale's father, who has learned of his marriage and illness, decides to go to his son and bring him to America, to his mother, who is grieving for him. This he does, takes his son away until he is well enough to go to America. He would like to take the child, but the mother will not give him up. Maddalena's brutal father, seeing an opportunity to get a few dollars from the elder Hale if he should bring him the child, kidnaps the baby. Grandfather Hale, with his son and grandson, leave for America. Months later, Hale's chum, Augustus Foster and his aunt, Mrs. Wright, go to find young Hale, only to learn from poor little broken-hearted Maddalena of her desertion. Mrs. Wright takes the girl as her companion to Paris. Here she is educated. They finally come to America. Here Maddalena becomes interested in settlement work, meets Dr. Comstock and interests him in her great work among the poor. She becomes a trained nurse, nursing in the homes of these poor people. An epidemic breaks out in the city, a most dreaded disease and one day she learns through the newspaper that her child has been stricken with this disease. She goes to the home of the child's grandfather, acts as nurse to her child. The child becomes very ill, the elder Hale does not recognize the young nurse as his daughter-in-law, and thinking the child is dying, says: "Oh, if the child's mother was only here." Hale, who has been out of the city, has been called home because of the seriousness of his child's illness, comes into the room and recognizes his wife. A reconciliation takes place, the elder Hale recognizes the great change in the girl, sees the noble character, and takes her into his home.
