Margie Dolan, a ticket agent in a steamship office, dreams of endless pleasure and adventures abroad, while her sweetheart, Dan Morley, a drugstore owner, is devoted to his business and his eventual marriage to Margie. When the horrors of commuting become unendurable, Margie suggests they take a honeymoon trip to Niagara Falls, but he is shocked at her extravagance; as she boards an ocean liner on a business errand, Margie decides to stowaway, and when discovered she is put to work in the linen room.


Is 1928’s The Rush Hour worth your time in the modern era? Short answer: Yes, but primarily as a masterclass in silent-era physical comedy and as a fascinating sociological study of 1920s gender roles.This film is for enthusiasts of the 'New Woman' archetype in cinema and those who appreciate the frantic, rhythmic paci...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

E. Mason Hopper

E. Mason Hopper
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"Is 1928’s The Rush Hour worth your time in the modern era? Short answer: Yes, but primarily as a masterclass in silent-era physical comedy and as a fascinating sociological study of 1920s gender roles.This film is for enthusiasts of the 'New Woman' archetype in cinema and those who appreciate the frantic, rhythmic pacing of late-period silent films. It is NOT for viewers who demand a grounded, realistic plot or those who have no patience for the broad, pantomimed theatricality of the pre-talkie ..."

David Butler
Fanny Hatton, Fred Stanley, Zelda Sears, Frederic Hatton, Leslie Mason
United States

