Joseph, a wealthy young Southern aristocrat, graduates from a seminary; before he takes charge of his assigned parish, he decides to go out and see what "the real world" is all about. He winds up in New Orleans and becomes attracted to Bessie, a poor, unsophisticated orphan girl.


D.W. Griffith. The name alone conjures images of epic scale, pioneering cinematic techniques, and, often, a complex legacy. In 1923, as the silent era was reaching its zenith, Griffith brought forth ‘The White Rose’, a film that, while perhaps not as widely discussed as some of his grander historical epics, noneth...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

D.W. Griffith

D.W. Griffith
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" D.W. Griffith. The name alone conjures images of epic scale, pioneering cinematic techniques, and, often, a complex legacy. In 1923, as the silent era was reaching its zenith, Griffith brought forth ‘The White Rose’, a film that, while perhaps not as widely discussed as some of his grander historical epics, nonetheless offers a profoundly intimate and often devastating look at class, innocence, and the unforgiving machinery of societal judgment. This isn't a film that bombards the senses wi..."
Lucille La Verne
D.W. Griffith
United States


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