Natalie Lane, an artist's model, marries Roddy Warren, son of a steel magnate, who has been a persistent suitor and idler; but because she is considered an unsuitable match by his family, Roddy is disinherited. The couple are thus forced to give up their luxurious apartment for a cheap furnished room, and Roddy, inexperienced and totally unfitted for any kind of work, tries his hand, unsuccessfully, at writing plays.


Murder in charcoal tones, dowries paid in disgrace, and the acrid perfume of turpentined hearts—The Woman He Married is a 1922 silent that feels as if someone pressed a hot iron against a canvas still wet with intrigue. Picture New York’s twilight skyline, its windows flickering like faulty flashbulbs; inside them, ...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Fred Niblo

Fred Niblo
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" Murder in charcoal tones, dowries paid in disgrace, and the acrid perfume of turpentined hearts—The Woman He Married is a 1922 silent that feels as if someone pressed a hot iron against a canvas still wet with intrigue. Picture New York’s twilight skyline, its windows flickering like faulty flashbulbs; inside them, Natalie Lane—part Pre-Raphaelite vision, part survivor—poses motionless so that men may translate her clavicles into commerce. The film begins at the tipping point where the artist..."

William Conklin
Herbert Bashford, Bess Meredyth
United States


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