Trying to escape marriage to the hateful Lord Carnal, Jocelyn Leigh joins her maid on a "bride ship" bound for the American colonies. She is shocked by the conditions she finds in Virginia, and decides to marry Capt.


No one survives the voyage unscarred—neither the women auctioned like spice casks nor the men who swear the ocean is honest. In To Have and to Hold (1922), director George Fitzmaurice turns Mary Johnston’s best-seller into a fever dream of colonial squalor and candle-lit yearning, every intertitle dripping with brine ...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

George Fitzmaurice

George Fitzmaurice
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" No one survives the voyage unscarred—neither the women auctioned like spice casks nor the men who swear the ocean is honest. In To Have and to Hold (1922), director George Fitzmaurice turns Mary Johnston’s best-seller into a fever dream of colonial squalor and candle-lit yearning, every intertitle dripping with brine and gunpowder. The first image—Jocelyn’s gloved hand slipping a signet ring into a maid’s palm—already foreshadows the film’s obsession with barter: bodies for land, loyalty for ti..."
Fred Huntley
Mary Johnston, Ouida Bergère
United States


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