Count Boris escapes from Russia during the Revolution with the crown jewels, intending to use them to aid his starving countrymen. Three international crooks--Carstock, Hansen, and Fogarty--plan to steal the jewels, but Hansen meets Marie en route to Yokohama and decides to go straight.


When we discuss the cinematic output of 1924, the conversation often gravitates toward the slapstick of Keaton or the burgeoning German Expressionism, yet Maurice Tourneur’s Torment stands as a towering, if somewhat neglected, monument to the era's ambition. This film is not merely a narrative; it is a visceral interro...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Maurice Tourneur

Maurice Tourneur
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"When we discuss the cinematic output of 1924, the conversation often gravitates toward the slapstick of Keaton or the burgeoning German Expressionism, yet Maurice Tourneur’s Torment stands as a towering, if somewhat neglected, monument to the era's ambition. This film is not merely a narrative; it is a visceral interrogation of greed and redemption, set against the backdrop of global upheaval. Tourneur, a master of visual composition, crafts a world where the shadows of the Russian Revolution st..."
Joseph Kilgour
Fred Myton, Marion Fairfax, William Dudley Pelley
United States

