Visionary Picks In Alignment with the style of Little Lost Sister: ...

Dir: Alfred E. Green

Tom Rockwood's brother and two sisters attempt to induce him to marry so that they may inherit money left to them by their father. Rockwood, a civil engineer, rescues Louise Halliday, a family friend and ward of Bleech, the Rockwood family lawyer, from a blasting site, and he is so attracted to the girl that he determines to marry her. Bleech attempts to break up the couple because he has nefarious plans for the money, but he fails, and Tom and Louise marry on the last day allotted to them by the will, thereby saving the family fortune.

Dir: Alfred E. Green

A visual fragment from the archive: The thematic resonance of Silk Husbands and Calico Wives perfectly mirrors the editorial trajectory of our deep dive.

After small-town attorney Deane Kendall wins an important case, a prestigious law firm lures him to the city. Accompanying him is his wife Edith, who retains her small-town ways, so does not fit into her husband's new social world. When adventuress Georgia Wilson meets the promising attorney, she falls in love and determines to break up his marriage. Georgia arranges for artist Charles Madison to lure Edith to his apartments and seduce her. Resisting his advances, Edith flees back to the innocent town of Harmony. Soon after, Kendall arrives, informed by Georgia that his wife is with Madison. However, the artist's mistress, who witnessed the incident, testifies to Edith's purity, and Kendall follows Edith back to their hometown, where they are reconciled.

Dir: Alfred E. Green

While on vacation from college, William Bankinton is shipwrecked. His mind a blank, he is picked up by a derelict ship upon which there are only a lion and a stowaway named Broot. After Broot commits suicide, Bankinton and the lion are cast adrift upon the shores of Africa where they exist in a primitive state for several months. One day, when Nakhia, the daughter of the Bedouin chief Ali-Es Hadji is out riding, she is beset by danger. Bankinton comes to her rescue and gradually he and the girl fall in love. Ben Saada, the bandit chief, desires Nakhia, and tries to kidnap her. The lion and Bankinton once again come to her defense, and in the ensuing fight, Bankinton is struck on the head and his memory is restored. He then proposes to Nakhia, and the couple set sail to America where they are reunited with Bankinton's family.

Dir: Alfred E. Green

A visual fragment from the archive: The thematic resonance of The Lad and the Lion perfectly mirrors the editorial trajectory of our deep dive.

A young man and his manservant, escaping from a backwoods family feud, are persuaded by a beautiful young heiress to help her rid her newly-gained Spanish castle of ghosts. The ghostly sightings, however, are the handiwork of the Duke d'Alba, who hopes to seize the castle's hidden treasure and use it to win the hand of the heiress.

Dir: Alfred E. Green

Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.

Dir: Alfred E. Green

A visual fragment from the archive: The thematic resonance of The Ghost Breaker perfectly mirrors the editorial trajectory of our deep dive.

Potash and Perlmutter give up their textile business to produce motion pictures. Though their initial effort is a failure, they interest a banker, Blanchard, in financing their productions, provided that they engage Rita Sismondi, an actress famous for vamp roles. She all but breaks up the homes of the partners. When they finally settle their differences, their new picture is a success and the vamp begins a romance with the director.

Dir: Alfred E. Green

In order to win the hand of the girl he loves, Ed Swinger creates a phony business to fool her father.

Dir: Alfred E. Green

A visual fragment from the archive: The thematic resonance of A Double-Dyed Deceiver perfectly mirrors the editorial trajectory of our deep dive.

In trying to decide whom to marry--Rita Pring, the daughter of a South Seas ship captain, or Lady Helen Deene, an Englishwoman with wealth and influence--Burke Hammond consults Professor Jansen, a psychologist. Jansen induces in Burke a hypnotic trance in which he sees his future with each of the women. If he marries Helen, he will have fame, material comforts, and political power, but no love from his wife. If he marries Rita, his life will be humble but happy until Captain Pring's first mate, Jim McLeod, stirs up trouble and a shot is fired at Burke. Jansen cannot tell if the shot means death to Burke; nevertheless, Burke unhesitatingly chooses life with Rita.

Dir: Alfred E. Green

Jack Malone, mate of the Langland, is accused of drunkenness by Crosby, a rival suitor of his sweetheart, Patty Thomas. He and the captain, who really was drunk, are both fired. He is finally vindicated by the children of the town, and Patty agrees to wait for him when he goes to sea in a ship his brothers have purchased for him and the captain.

Dir: Alfred E. Green

Story of a war hero who preferred fishing to politics.