
Ted Stanhope, a middle-aged millionaire, represents himself to Margery Burkley, a beautiful young stenographer, as a friend of her father, who vanished when she was just an infant. When Wallace Graham marries Margery, Patricia Chase, who is in love with Wallace despite the fact that she is married, tries to break up the marriage by making Wallace suspicious of Stanhope's intentions.


To traverse the celluloid landscapes of 1925 is to witness the zenith of the silent melodrama, a period where the syntax of visual storytelling reached an almost operatic intensity. Ivan Abramson’s Lying Wives stands as a quintessential artifact of this era, a film that weaponizes the domestic sphere to explore the...

still_frame

publicity


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Ivan Abramson

Ivan Abramson
Community
Log in to comment.
" To traverse the celluloid landscapes of 1925 is to witness the zenith of the silent melodrama, a period where the syntax of visual storytelling reached an almost operatic intensity. Ivan Abramson’s Lying Wives stands as a quintessential artifact of this era, a film that weaponizes the domestic sphere to explore the darker recesses of human jealousy and the precariousness of reputation. Unlike the more fantastical elements found in The Unholy Three, Abramson’s work is rooted in a bourgeois an..."

Edna Murphy
Max Abramson, Ivan Abramson
United States

