
A wealthy Wyomingite disowns his son, Wayne Sturgis (William Fairbanks), for marrying art student Joan Prescott (Dorothy Revier). After several years on a small farm, Joan begins to suffer from disillusion, unhappiness, and poor health.

The 1924 cinematic landscape was often characterized by a dichotomy between urban opulence and the rugged, unyielding frontier. In this milieu, Marry in Haste emerges not merely as a cautionary tale of impulsive matrimony, but as a sophisticated exploration of the friction between inherited wealth and the grueling re...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Duke Worne

Duke Worne
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" The 1924 cinematic landscape was often characterized by a dichotomy between urban opulence and the rugged, unyielding frontier. In this milieu, Marry in Haste emerges not merely as a cautionary tale of impulsive matrimony, but as a sophisticated exploration of the friction between inherited wealth and the grueling reality of agrarian indigence. Directed with a keen eye for the psychological underpinnings of its characters, the film transcends the melodramatic tropes of its era, offering a nuan..."
Jean Duvane
United States

