John Quelch, the owner of vast diamond mines, is constantly fearful of theft and convinced that any woman will "sell her soul" for diamonds. He deals harshly with any employee caught stealing and has Lady Margot Cork watched while she is visiting Lorraine Temple.


p{margin:0 0 1.2em;line-height:1.7em;font-size:1.05em;}a{color:#EAB308;text-decoration:none;}a:hover{color:#C2410C;}h2{color:#0E7490;margin:2.2em 0 .6em;font-size:1.4em;}strong{color:#C2410C;font-weight:600;} There is a moment, roughly two-thirds through Pink Gods, when the camera lingers on a close-up of Anna Q. Nils...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Penrhyn Stanlaws

Robert N. Bradbury
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" p{margin:0 0 1.2em;line-height:1.7em;font-size:1.05em;}a{color:#EAB308;text-decoration:none;}a:hover{color:#C2410C;}h2{color:#0E7490;margin:2.2em 0 .6em;font-size:1.4em;}strong{color:#C2410C;font-weight:600;} There is a moment, roughly two-thirds through Pink Gods, when the camera lingers on a close-up of Anna Q. Nilsson’s tear-wet iris and the reflection of a diamond bracelet dances inside it like a predatory firefly. That micro-image is the entire film in miniature: desire made lucent, consci..."
Guy Oliver
Sonya Levien, J.E. Nash, Ewart Adamson, Cynthia Stockley
United States

