
Because her father has strict ideas about what clothing she should wear and with whom she should associate, Anna Hedder leaves home and takes up residence with two girl friends. She meets Madeline Wallace, whose father is extremely lenient, but he soon discovers that she is becoming too indiscriminate in her associates; Madeline rebels, and she is enticed to Anna's apartment by Reynolds, an old roué, while the girls are out.


blockquote{border-left:4px solid #EAB308;padding-left:1rem;margin:1.5rem 0;font-style:italic;color:#EAB308}a{color:#0E7490;text-decoration:underline}strong{color:#C2410C} William Nigh’s Why Girls Leave Home—a 1923社会问题片 that survives only in frayed 35mm at the Library of Congress—plays like a séance where Victorian mo...

production_art

production_art

publicity

still_frame


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

William Nigh

William Nigh
Community
Log in to comment.
" blockquote{border-left:4px solid #EAB308;padding-left:1rem;margin:1.5rem 0;font-style:italic;color:#EAB308}a{color:#0E7490;text-decoration:underline}strong{color:#C2410C} William Nigh’s Why Girls Leave Home—a 1923社会问题片 that survives only in frayed 35mm at the Library of Congress—plays like a séance where Victorian mores and jazz-age electricity spark across the same frayed wire. The film’s very title, splashed across flickering title cards in carnival-barker serif, baits its audience with the ..."

John B. O'Brien
Fred Summerfield, Owen Davis, William Nigh
United States


Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on William Nigh