
In managing the shipyard inherited from her father, Derith Keogh has considerable labor problems and accedes to the unreasonable demands of John Trevelyan, an anarchist labor agitator. Derith's brother John is off in pursuit of an adventuress, and Angus Campbell, her superintendent, resigns in exasperation.


.pull-quote{border-left:4px solid #C2410C;padding-left:1rem;margin:1.5rem 0;color:#EAB308;font-style:italic;font-size:1.125rem;} Nobody remembers the clang of 1922 shipyards anymore, yet The Strangers' Banquet keeps echoing like dropped rivets down a ventilation shaft. Marshall Neilan’s 11-reel colossus—shot between...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Marshall Neilan

Marshall Neilan
Community
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" .pull-quote{border-left:4px solid #C2410C;padding-left:1rem;margin:1.5rem 0;color:#EAB308;font-style:italic;font-size:1.125rem;} Nobody remembers the clang of 1922 shipyards anymore, yet The Strangers' Banquet keeps echoing like dropped rivets down a ventilation shaft. Marshall Neilan’s 11-reel colossus—shot between Santa Monica breakers and a San Pedro dry-dock so cavernous it swallowed carbon-arc daylight—opens on a wake: keening women in black mantillas circle Derith Keogh’s catafalque of ..."
Claude Gillingwater
Brian Oswald Donn-Byrne, Frank Urson, Marshall Neilan
United States

