Chad Pennington, a movie-cowboy from Hollywood, gets into trouble when he poses as a two-gun outlaw from Texas named Tommy Hawk. He gets himself involved in a dispute between a development company and the local ranchers who don't want their ranches 'developed.
Is The Texas Streak worth revisiting in the modern era? Short answer: yes, but with a significant caveat. This 1925 silent Western, starring the inimitable Hoot Gibson, offers a fascinating glimpse into early Hollywood's take on frontier myth-making, but its pacing and narrative simplicity might test the patience of co...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Lynn Reynolds
Lynn Reynolds
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In Lynn Reynolds' 1925 Western, The Texas Streak, we follow Chad Pennington, a Hollywood actor accustomed to manufactured heroism, as he inadvertently stumbles into genuine conflict. Adopting the theatrical persona of "Tommy Hawk," a notorious two-gun outlaw from Texas, Chad finds himself embroiled in a tense land dispute. A ruthless development company threatens the livelihoods of local ranchers, including the formidable Molly Hollis and her family, whose ancestral lands are slated for "progress." Despite his initial, rather unconvincing attempts at intimidation—clad in elaborate sheepskin chaps that scream artifice rather than authenticity—Chad's charade forces him to choose a side. His burgeoning affection for Molly ultimately steers him towards defending the embattled ranchers, compelling him to shed his cinematic bravado for a taste of real frontier justice, whether he’s truly equipped for it or not.
"Is The Texas Streak worth revisiting in the modern era? Short answer: yes, but with a significant caveat. This 1925 silent Western, starring the inimitable Hoot Gibson, offers a fascinating glimpse into early Hollywood's take on frontier myth-making, but its pacing and narrative simplicity might test the patience of contemporary viewers. It is a film for ardent Western enthusiasts, silent cinema scholars, and those curious about the evolution of cinematic storytelling. Conversely, it is decidedl..."
Lynn Reynolds
United States
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